Monday, November 1, 2010

“If I don't know where I'm comin' from, where will I go?”















What up hip hop heads!!! Sooooooo in the middle of my last blog, my sister Affry (short for Afriika) raised an interesting question - “Where are hip-hop's John Lennon, Marvin Gaye, Otis Redding, John Coltrane, Janis Joplin, etc??”......I had to let that one marinate for a bit....then a little bit longer...

At first I didn't understand where she was coming from. To me, this question was no different than the cliche statement “hip-hop ain't what it used to be”, which makes me cringe inside. While I am someone who cherishes everything about the past, I feel that what was done in the past is...well...in the past. What about now? I mean, the past was great, but I always like to see what can we do in the present to improve our future.

Why do we study our past? In hopes to learn something from it so we don't make the same mistakes, right? After thinking about her question more, I still felt unsettled because deep down I knew there was, in fact, something special about the artists she mentioned that was missing in many of today's artists. Something bigger than talent. Bigger than the music itself. I decided to listen to the artists she mentioned with her question in mind. I listened to these artists with a fresh ear and thought about exactly what was going on during the time in which that music was released, and how was the art reflecting that? After all, art is supposed to imitate life, right? I realized the art is just one part of the bigger picture. The same way we look to our athletes to be role models on and off the field – we look to our musicians to do the same thing, for the greater good of the world and our future. This made me wonder, what legacy will our current artists leave once their time is up? How will we remember them?


John Lennon is someone who represented peace and nonviolence, the same way Martin Luther King did. During the time when our country was at war in Vietnam, John Lennon was one of the biggest voices in entertainment to speak out against it. He was so influential, former Senator Strom Thurmond sent a secret memo to deport Lennon from America by taking away his visa, because he was seen as a danger to Richard Nixon's reelection in 1972.





Janis Joplin was that rebellious spirit who played a key role, artistically, in the Women's Liberation Movement. Prior to this period of time, women were denied rights and discriminated against – in addition to being looked at as simply sexual objects who should just “cook and clean” around the house. Janis Joplin represented the free and liberated women.




I look at these artists and compare them to today's. How will we remember today's popular artists? What is their overall message? While it's not fair to to compare today's artists to yesterday's based on their specific actions because we are living in a different era, something can be said about the rebellious nature these artists had. There will always be something to fight for: in the 1960s and 70s there was racism and sexism so that brought about the Black Power Movement and the Women's Liberation Movement. In the 2000's we still have racism and sexism in addition to prominent issues like political corruption, freedom of religion and gay rights. 




Right now, most artists are afraid. Afraid to speak out. Afraid to be different. Afraid of criticism. Afraid to do what's unpopular. Afraid of gossip and rumors about us. Afraid of what people think about us. And most of all - afraid of the consequences if they act out against opposing forces. It's easier to play it safe. Think about it like having a best friend that see's you getting bullied and beat up for no reason, but instead of jumping in the fight to help out or break it up, he (or she) runs the opposite direction, in fear of getting hurt themselves. It's easier to run. But like the old saying goes, you gotta stand up for something or else you will fall for anything. Afraid should never be in an artist's vocabulary.



Don't get me wrong, I am not saying every artist has the responsibility to be a martyr – everyone isn't that strong. What I am saying is that every artist has the responsibility to be creative, innovative and thought-provoking in their own right. Every artist has the responsibility to push the envelope just a little. Whether with your words, with your message, or with your image – every artist should have their legacy in mind every time they touch the mic or put an album out. If not, then why do it?




To answer Affry's question – Where are hip-hop's John Lennon, Marvin Gaye, Otis Redding, John Coltrane, Janis Joplin (among others)? I can't tell you because only time will. We're talking about musicians who have made an impact and spoke for an entire culture and generation. We're talking about musicians who were fearless and spoke their minds regardless of the consequences. Musicians who are passionate about their craft – with or without money and fame. NWA. Public Enemy. 2 Live Crew (freedom of speech!). Rakim. A Tribe Called Quest. I feel like 2Pac and B.I.G were probably the last artists of that caliber. We have many artists who have made an impact on our culture in the 2000's and have the potential of being legendary in that right: Jay-Z, Nas, Eminem, Lil Wayne and Kanye West. I think the problem we're having nowadays is that we've seen everything, so no one is impressed by much anymore – or we're automatically skeptical. So when Kanye West says on national television “George Bush doesn't care about black people.”, we brush it off as a publicity stunt. When Jay-Z, who was once known as a party rapper, writes a song called “Minority Report”, it's overlooked because people say “he's trying too hard to be taken seriously.” When Young Jeezy makes “My President is Black”, all people hear is “...my Lambo's blue...” and miss the entire point of the song. When Nas names his album Nigger, we look at it as a publicity stunt even though that was the exact same title of Dick Gregory's autobiography written in 1964. When Eminem writes a song like “K.I.M.”, we think it's simply for shock value.

My point is maybe it's too soon to tell who our legends will be because we're still in the moment. Yes, we have our opinions on our popular artists right now, but when you're able to step back after all is said and done, you can give a more accurate view on who were the most influential. The same way Berry Gordy and Motown were looked at as “too commercial” and “crossover” during their time – now their legacy speaks for itself.

I think we'll be able to answer that question in 10 or 15 years when we look back at the 2000's and see what was going on in the world – and how did the music reflect it.








6 comments:

  1. Feel free to leave your thoughts here!

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  2. It is insane to compare Biggie, Jay-Z and others to the artists of old who had a social consciousness; The author misses the point... just because you write, rap, or sing about a deep topic doesn't mean you are socially conscious, deep, or worthy to be mentioned amongst those of old who were (btw, some of the legends of old said/sang one thing and lived/acted another... so many things are suspect as is)...

    Nonetheless, I'm afraid that the author confuses form over substances if one thinks that Eminem, NWA, 2Live, Biggy, etc. **in any way** elevated the consciousness/awareness of people in any sort of positive manner. It is naive to think that those who constantly rap about violence, bling, torture, adultery, promiscuity, drugs, etc. (often in a postive light) are in any way helping society as a whole.

    When our social/ moral/ethical compass is spinning as if we are in the mythical Bermuda Triangle, it is hard to get proper bearings on these matters. If this sounds too judgemental, it probably is... But we have far too many societal ills to pretend that such artists are doing anyone any good.

    Like Plato and Socrates argued -- control the arts and music and you control/heavily-impact the society (read Plato's Republic -- Book IV)... right now, their impact is negative as can be. If K-OS, Blackalicious, and even some from Jurassic Five, Heiroglyphics, (old) Common, Mos Def, Talib, etc. were mentioned... then this would have been believable.

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  3. This comment has been removed by the author.

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  4. I absolutely LOVE this post. I think the most important aspect of art, is voice. In most art (… my hope is that ALL art) the artist has a voice.

    It bothers me is that we are in the largest recession in history, however there isn't a reflection of that in Hip-Hop.

    I have a friend that is a teacher in an urban school in D.C. . She often tells stories of dirty children in her class, smelling like four days ago, but excited to be in school. There were three children that were beyond bad. They often smelled of cat urine, and looked as if the kids hadn’t been washed in days. The kids smelled so bad, that other kids complained. My friend decided to have a parent/teacher conference to see where the parent was coming from. The parent stated that laundry is around 5 dollars a load for washing. She washes clothes once a month, because that is all she can afford. Most children in the school are on some sort of government assistance. She, is not. She is working at a coffee house to make ends meet. With three children, it is VERY difficult. Unfortunately, life would be a little easier for her if she decided not to work, but she is afraid of what view that would leave her children. She did not want to raise a cycle of “welfare kids”.

    I have another friend (who is also a teacher) who makes around 20,000 DOLLARS A YEAR, which, is around 1300 dollars a month. Although she has no children, it is damn near impossible to survive off that salary. She works three jobs. She fills in at the post office , and works retail to fill in the gaps.

    And, I wish I could say that these are unique stories, but they aren’t. Look at Detroit! There are ghost towns in Detroit. Millions of people are unemployed because Chrysler went out of business.

    We are experiencing discrimination, wars, recessions, (things that were definitely present in the 60’s) but are completely numb to these events… why? … and where is THAT story in our hip-hop culture?

    Hip-Hop evolved from a revolutionary movement, to a drug. How sad. In my opinion, like a drug, Hip-Hop (along with "reality" TV) numbs us from life, instead of allowing us to experience REAL life. The problem with that… is that we (hip-hop listeners) aren’t dealing with life. We stopped dealing, to worry about the latest bling, bling… gossip, "bitches and hoes", dating issue, ect. And sure there is Nas, Talib and Mos Def… but unfortunately, they aren’t as popular as "main stream" artist.

    When the everyday person is speaking of their love for hip hop.. they are probably talking about Jay-Z, Wayne, Drake, Rick Ross, T.I. ect… drug dealers…selling a new drug... hip-hop. Uh oh… here comes the hate….

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  5. Those last two post say it all in my opinion

    -Jermaine

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  6. Tried to post this on the blog but it wouldn't take. So I'll post it here

    We are a victim of what I call "Welfare Fans", people who expect Mainstream Media to give them what they want instead of finding it for themselves. The revolution was never televised so turn off you tv and radio if you're seeking it there. If you're a music fan and can't find what you want on TV and Radio then I challenge you to attempt to discover and support 1 new artists a month that makes the type of music that you're looking for. Google makes it so easy now a days. Just put in Hip Hop, Conscious or whatever it is you're looking for. Ask friends who listen to the same type of music if they've heard of anyone new. Go to the local venues that have artists who perform that type of music.

    I'm disappointed in a people who complain about something but do little to correct it. There is a reason that the music you hear via commercial outlets is unbalanced. Not supporting it is only 1 thing. It is up to us to then offer and support the counter parts to what you don't like.

    Marley, Gil Scott and the rest got support from the people. You can't create the new John Lennon if you can't even name him. He or she is out there but we wait for someone to discover that person for us. That's not Hip Hop. That's just the Welfare Fan.

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